Khan’s work is pumped with humour and satire; it looks at the class divides through layers of local aesthetics. Glitter, paint and crystals are used as tropes to comment on the emerging affluent-class, along with the ‘bad-tastes’ exhibited through religious ceremonies, homes and the bazaar. The works also make caustic commentary on political and social conditions with inside-jokes and symbols while not preaching on a particular stance.
Saba Khan completed her BFA, from National College of Arts, Lahore, (Distinction), and MFA from Boston University, on Fulbright Scholarship. Residencies attended include: Civitella Ranieri Foundation, UNESCO Aschberg Bursary, Italy; Vermont Studio Center, USA; Indus Valley School, Karachi, Pakistan; 11th Gwangju Biennale International Curator Course, South Korea and at Para-site Art Space, Hong Kong. She was a juror for UNESCO Aschberg Bursary. Solo shows: Canvas Art Gallery, Karachi; Rohtas 2, Taseer Gallery, Lahore. Group shows: Monitor 4, SAVAC, Toronto; Kara Film Festival, Karachi; International Art Festival, Kathmandu; Lawrie Shabibi Gallery, Dubai; Bangkok Art and Culture Center, Thailand; Aicon Gallery, New York. Shortlisted for The Future Generation Art Prize, Victor Pinchuk Foundation. Published in n.paradoxa International Feminist Art Journal, Tran-Asia; The Eye Still Seeks by Salima Hashmi. She teaches at the National College of Arts and founded Murree Museum Artists’ Residency, Murree, an artist-led initiative to support artists/writers, in 2014.